moloney, Keane, & Broaders
Mick Moloney is the author of “Far From the Shamrock Shore: The story of Irish American History Through Song” released by Crown Publications in February of 2002 with an accompanying CD on Shanachie Records. He holds a Ph.D. in folklore and folklife from the University of Pennsylvania. He has taught ethnomusicology, folklore and Irish studies courses at the University of Pennsylvania, Georgetown, and Villanova Universities, and currently teaches at New York University in the Irish Studies program.
He has recorded and produced over forty albums of traditional music and acted as advisor for scores of festivals and concerts all over America. Mick also served as the artistic director for several major arts tours including The Green Fields of America, an ensemble of Irish musicians, singers and dancers which toured across the United States on several occasions.
Jimmy Keane's accomplishments are far reaching. He has achieved astonishing and unprecedented success in competitive playing, having won five consecutive All-Ireland titles on the piano accordion. He has always been an avid collector and arranger of old tunes and is becoming increasingly known for his original compositions, many of which have become part of the mainstream of traditional Irish music around the world. He also has recorded and produced numerous albums
Many regard Keane as the premier exponent of traditional Irish music on the piano accordion. Noted University of Limerick Professor, composer, and musician Mícheál Ó Súilleabháin praised Keane as the "savior of the piano accordion." eMusic described him as "one of the true giants of Irish traditional music of the past fifty years," and the voice of Ireland, singer-songwriter Christy Moore, described Jimmy's playing as "wild and beautiful."
Pat Broaders grew up in Dublin, the son of parents from Wexford. He began his journey in traditional music at the age of eight, and attended the School of Music in Chatham Street in Dublin. He started out on the whistle, and later moved on to the uilleann pipes under the tutelage of Leon Rowsome.
He took up the bouzouki in 1988, inspired by the sounds he grew up hearing from bands like Planxty, and the popularity of the instrument in Dublin’s vibrant traditional music scene. Pat’s singing began naturally enough. His father was a singer, and having grown up around Dublin’s singing tradition, it was a natural step for him. Pat’s repertoire today reflects his interest in the great songs of the Irish tradition as well as songs and ballads from the English and Scottish traditions.